NateCosBOOM

I be Nate Cosby. I write the Eisner-nominated COW BOY at Archaia, BUDDY COPS at Dark Horse, PIGS at Image, produce kids' TV and edit when I feel like it.
I was nominated for a Harvey Award for co-writing/editing JIM HENSON'S THE STORYTELLER at Archaia. I used t'write for Disney publishing, and I was an editor at Marvel, where I took care'a the Harvey-Award winning THOR THE MIGHTY AVENGER, Eisner-Award winning OZ books, SPIDER-MAN, SUPER HEROES, X-MEN FIRST CLASS, PET AVENGERS, SPIDER-MAN LOVES MARY JANE and a buncha others.
This blog is dedicated to exactly what I'm thinking at all times. I'm on Twitter as @NateCosboom.
One of my new projects is (GASP!) about a super-hero. So on top of research in science and culture, I’m also reading back through some of my favorite super-hero comics, to remind myself why they’re my favorites, and why they worked so well. So that includes Dixon’s Robin, Busiek’s Astro City, and Waid’s runs on Impulse and Flash. This is the first page from his first Flash issue (v2 #62), with art by Greg La Rocque, Jose Marzan and Glenn Whitmore (who, according to the credits, is more than one colorist). What a simple, excellent way to begin a comic.

One of my new projects is (GASP!) about a super-hero.

So on top of research in science and culture, I’m also reading back through some of my favorite super-hero comics, to remind myself why they’re my favorites, and why they worked so well. So that includes Dixon’s Robin, Busiek’s Astro City, and Waid’s runs on Impulse and Flash. This is the first page from his first Flash issue (v2 #62), with art by Greg La Rocque, Jose Marzan and Glenn Whitmore (who, according to the credits, is more than one colorist).

What a simple, excellent way to begin a comic.

Photo
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